Sunday, February 24, 2013

Death Valley Impostor

The Rock That Wasn't There

Welcome to the Racetrack Playa in Death Valley National Park, that magical anomaly where rocks move mysteriously across a clay-like surface and cut trails to mark the path or their travel.

At least, that's what we think happens. Rain softens the playa and the surface becomes slippery. Wind currents channeled through the mountains are strong enough to move the rocks and cut trails through the soft clay. It's impossible to verify the theory because except for the smallest of pebbles, no one has ever seen the rocks move.

Yet, move they do and trails they leave, and in so doing they capture our imagination. The entire phenomenon is like something from a science fiction story.

There is, unfortunately, a dark side to our story, and that dark side is the hand of man. There are individuals who lack respect for the fragile wonder of places like the Racetrack Playa.

Here is case in point, a subject that I call 'The Impostor Rock'.




a photo of a sliding rock on the racetrack playa at death valley by daniel south
Impostor Rock - Death Valley



We see a long, well-defined trail in the playa, distant mountains, a clear sky, and a rock right in the middle of the action.

The problem is that this rock did not cut the trail, except perhaps for the last few inches. The rock that did cut the trail had a different shape. It would have been a bit wider, and it had a ridge that cut a groove to the left of the main trail.

This rock is an impostor.

Someone took the original rock as a souvenir, probably leaving the trail empty.(There are many empty trails on the playa.) I'm guessing that some well-meaning person put this rock in its place. Hopefully, the didn't snatch it from one of the other trails.


The Racetrack Playa is remote and not well-patrolled. Even if there were rangers on site, the playa is more than two miles wide. It's not possible to watch the entire surface at all times. Inconsiderate people take liberties.

There are signs posted: Don't move or take the rocks. Clearly, this one has been broken a few times. Don't walk on the playa when it's wet, or you'll damage the surface and leave footprints. I saw lots of this type of damage at the southern end of the playa. Don't let your dog run on the playa. While I was there I met a man who told me how much his dog loves to run on the playa, and then he let the dog loose.

The world is full of inconsiderate people, and there's not a whole lot that we can do about it. Let's hope that they don't destroy everything.



Camera: Canon EOS 5D Mark II

Lens: Canon TS-E 24mm f/3.5L II


Wishing you great light and meaningful moments!

Copyright © 2013 Daniel R. South
All Rights Reserved

Monday, February 18, 2013

Rebuilding New York

Moving Forward, Thinking Back

The new World Trade Center tower, still unfinished, rises to prominence in the New York skyline.



a photo of world trade center construction in downtown new york
Rebuilding New York - 9/11/2012



Camera: Canon EOS 5D Mark III

Lens: Canon TS-E 24mm f/3.5L II


Wishing you great light and meaningful moments!

Copyright © 2013 Daniel R. South
All Rights Reserved

Wednesday, February 6, 2013

Geometric Skyscrapers

Art And Abstraction In Architecture

Perspective. 

How many different ways are there to look at a structure? 

Where can we stand in search of a fresh view of a well-known structure?

How will light interact with architecture, and how does that change with season and time of day?

How can lenses and two-dimensional perspective enhance and stylize the appearance of large, three-dimensional objects?

I visualized photographing this landmark New York skyscraper from its base, but the composition didn't work until I included the building across the street.

The symmetrical convergence of vertical lines draws attention toward the center of the frame. The reflections hint of a delicate interaction between giants.



a photo of geometric skyscrapers in new york city daniel south photography
Geometric Skyscrapers - New York City



To capture this image, I aimed my tripod-mounted camera straight up. I had to compose and focus from below.  Onlookers watched as I crouched and twisted into a series of uncomfortable positions.

Alignment was critical. Horizontal lines had to remain parallel to the edges of the frame, or the buildings would have skewed to one side.  I wanted the convergence to balance well between the building in front (bottom) and behind (top). 

Luckily, it all worked out in the end. The shapes and patterns blend together nicely, the quality of light reveals sharp detail, and the reflections add a special highlight to the composition.


Camera: Canon EOS 5D Mark II

Lens: Canon TS-E 24mm f/3.5L II (no movements applied)


Wishing you great light and meaningful moments!

Copyright © 2013 Daniel R. South
All Rights Reserved

Saturday, January 26, 2013

Stay Out And Keep Shooting

Fair Seas in Foul Weather

It had rained that day, heavily at times.  When it wasn't raining the sky was solid overcast.  I remember feeling that my visit the seaside had met with unfortunate timing. 

Expectations were low; I figured that I wouldn't take many photos, and to be fair, I didn't take many.

Lunch offered a chance to get out of the rain.  Well, more or less out of the rain - all of the cafes in this resort town had outdoor seating.  An umbrella over the table helped, but the air was chilly.  Thankfully, Croatian pizza is warm and satisfying.

After lunch I took a stroll along the water's edge.  Several small boats were moored along a simple dock.  I noticed a man waiting to board one of the craft as another fellow prepared it to sail.

I almost walked past this scene.  The weather was gray and foreboding, but something about the dock and the boats caught my eye.  I grabbed my camera and took a handful of test shots. 


a photo of a man with an umbrella standing on a dock in porec croatia
Man on a Dock with an Umbrella, Croatia, 2010

At one point the man leaned on his umbrella in an interesting way.  I felt a rush of excitement as I pressed the shutter release.

This small gesture made all of the difference.  I was able to capture the moment, not by the grace of quickness or skill, nor with talent nor training, but rather with a willingness to be open to the possibilities that were unfolding before me.

If I hadn't been ready...  If I had kept my camera in the bag while moping about gloomy weather...  If I had opted to linger in a gift shop, the shot never would have happened.

I'm glad that I had the good sense to stay out, stay alert, and keep shooting.


Camera: Canon EOS 5D Mark II

Lens: Canon 24-105 f/4L IS


Wishing you great light and meaningful moments!

Copyright 2013 Daniel R. South
All Rights Reserved

Monday, January 21, 2013

Nico

Portrait of Venice

I don't know the boy's name.

I don't know the name of the lady sitting in the window.

If I enlarge the image and look very closely, I can make out some of the names on the doorbells.



a photo of a boy and a boat named nico in venice italy by daniel south
Nico - Venezia


But the boat's name is Nico.

And that's all that I really need to know.



Camera: Nikon D800
Lens: Nikon AF-S Nikkor 24-70 f/2.8G ED


Wishing you great light and meaningful moments!

Copyright 2013 Daniel R. South
All Rights Reserved

Saturday, January 12, 2013

Grand Canyon in Winter

Adventures on the High Plateau

Arizona.  Land of sun, sand, and cactus.  An oasis where one might expect to play a round of golf any day of the year.

Granted, part of the state matches this description, but Arizona is a complex landscape.  Vast areas of Northern Arizona rest on high plateaus, considerably higher in altitude than the "Mile High" city of Denver, Colorado.

When winter comes to the high plateau, it's cold.  Surprisingly cold.  Nighttime temperatures can approach zero degrees Fahrenheit (-17 C).  Dress warmly if you want to greet that once-in-a-lifetime sunrise.


a fine art photograph of the palisades of the desert at grand canyon at dawn
Pre-Dawn Glow Over The Palisades Of The Desert

Winter can be an interesting time to visit Grand Canyon.  The crowds are smaller.  The life-threatening heat of summer is no longer an issue.  And if the weather cooperates, you'll be able to enjoy views of the canyon graced with fresh fallen snow.


a fine art photograph of grand canyon with snow
Sunrise Over Grand Canyon in Winter

Ice and snow add subtle highlights to canyon features.  Since the winter sun hits the canyon at a low angle, interesting shadow patterns are visible throughout the day.


a fine art photograph of grand canyon rock features and temples in winter
Snowfall atop Grand Canyon Features

At sunset, very little of the canyon will be lit by direct sunlight, but unexpected lighting effects can occur.  In this image, warm light from the setting sun was reflected downward into the canyon.  The effect lasted for only a few minutes.  Luckily, I was able to frame this shot before it faded.


a fine art photo a grand canyon at sunset from the abyss
Sunset Reflected Downward From Winter Clouds

Witnessing a Grand Canyon sunset over snow-crested cliffs is a breathtaking experience.


a fine art photograph of a winter sunset with snow at grand canyon
Winter Sunset, Grand Canyon National Park

If you want to see a different dimension of Grand Canyon, consider a trip during the winter months.  Drive carefully, dress warmly, and enjoy the unexpected as it unfolds before you.


a fine art photograph of a lenticular cloud over the grand canyon at sunrise
Lenticular Cloud over Grand Canyon at Sunrise

I would like to extend a special 'Thank You' to all of the wonderful people who keep Grand Canyon open for tourism every day of the year.



Camera:
            Canon EOS 5D Mark II

Lenses:
            Canon TS-E24 f/3.5L II
            Canon 24-105 f/4L IS
            Canon 70-200 f/4L IS


Wishing you great light and meaningful moments!

Copyright 2013 Daniel R. South
All Rights Reserved