Saturday, January 12, 2013

Grand Canyon in Winter

Adventures on the High Plateau

Arizona.  Land of sun, sand, and cactus.  An oasis where one might expect to play a round of golf any day of the year.

Granted, part of the state matches this description, but Arizona is a complex landscape.  Vast areas of Northern Arizona rest on high plateaus, considerably higher in altitude than the "Mile High" city of Denver, Colorado.

When winter comes to the high plateau, it's cold.  Surprisingly cold.  Nighttime temperatures can approach zero degrees Fahrenheit (-17 C).  Dress warmly if you want to greet that once-in-a-lifetime sunrise.

a fine art photograph of the palisades of the desert at grand canyon at dawn
Pre-Dawn Glow Over The Palisades Of The Desert

Winter can be an interesting time to visit Grand Canyon.  The crowds are smaller.  The life-threatening heat of summer is no longer an issue.  And if the weather cooperates, you'll be able to enjoy views of the canyon graced with fresh fallen snow.

a fine art photograph of grand canyon with snow
Sunrise Over Grand Canyon in Winter

Ice and snow add subtle highlights to canyon features.  Since the winter sun hits the canyon at a low angle, interesting shadow patterns are visible throughout the day.

a fine art photograph of grand canyon rock features and temples in winter
Snowfall atop Grand Canyon Features

At sunset, very little of the canyon will be lit by direct sunlight, but unexpected lighting effects can occur.  In this image, warm light from the setting sun was reflected downward into the canyon.  The effect lasted for only a few minutes.  Luckily, I was able to frame this shot before it faded.

a fine art photo a grand canyon at sunset from the abyss
Sunset Reflected Downward From Winter Clouds

Witnessing a Grand Canyon sunset over snow-crested cliffs is a breathtaking experience.

a fine art photograph of a winter sunset with snow at grand canyon
Winter Sunset, Grand Canyon National Park

If you want to see a different dimension of Grand Canyon, consider a trip during the winter months.  Drive carefully, dress warmly, and enjoy the unexpected as it unfolds before you.

a fine art photograph of a lenticular cloud over the grand canyon at sunrise
Lenticular Cloud over Grand Canyon at Sunrise

I would like to extend a special 'Thank You' to all of the wonderful people who keep Grand Canyon open for tourism every day of the year.

            Canon EOS 5D Mark II

            Canon TS-E24 f/3.5L II
            Canon 24-105 f/4L IS
            Canon 70-200 f/4L IS

Wishing you great light and meaningful moments!

Copyright 2013 Daniel R. South
All Rights Reserved

Saturday, December 22, 2012

Winter Solstice

Short Days, Distant Sunsets

The idea was simple.  I wanted to photograph these tall ships in the warm glow of the setting sun.  But simple does not necessarily mean easy.

These ships are docked at South Street Seaport in Manhattan.  Across the street to the west is typical Manhattan architecture - skyscrapers. 

For most of the year, the sun descends below the skyscrapers by late afternoon.  The ships are engulfed in dark shadows long before the 'golden hour' arrives.

But there is a glimmer of hope in this shadowy situation.

The sun doesn't set in the same location every day.  During the summer months, it sets into the northwestern sky, and in the winter it sets into the southwest.  Every day, the position of the sunset moves a little closer toward one of these extremes.

Could the moving sunset hold the key to nailing the shot that I wanted?

In a word, yes.  There are a few weeks each year when the sun sets far enough to the south to clear the row of imposing skyscrapers that normally overshadow this marina.  Predictably, this window of opportunity occurs for a few days before and after the Winter Solstice, the day when the sun rises and sets at its extreme southern position. 

a large format fine art photograph of tall ships at south street seaport in new york city
The Fleeting Light of Winter

I had to make several trips to the location.  Again, simple isn't always easy.  On some occasions, thick clouds would move in before the best light appeared.  On other days, the sunlight filtered through a thin, milky layer of haze that muted its color.  It's always cold and frequently windy by the East River in December, and a view camera requires a lot of manual adjustments.

African immigrants sold hats and postcards near where I was shooting.  They watched me with puzzled expressions as I set up and focused the view camera.  Afterward, I would chat with them as I attempted to thaw out my frozen fingers.  I dealt with frustrating conditions on several occasions, but eventually I was rewarded with the light that I had planned so long to capture.

Sadly, everything changes.  I went back a year later to attempt another version of the shot.  The wooden masts of one of the ships had been replaced with ugly metal poles.  Years later, the city built a structure that blocks this view entirely. 

If you want to capture what you envision in your mind's eye, you need to work on it as soon as you can.  It will take time.  It might require planning and scouting, trial and error, frustration and frozen fingers.  So get started, because opportunities do not last.

Everything changes.  And simple definitely does not mean easy.


            Ebony SV45TE

            Nikkor-SW 90mm f/4.5

Wishing you great light and meaningful moments!

Copyright 2012 Daniel R. South
All Rights Reserved

Monday, December 17, 2012

Venezia La Bellissima

Challenging The Senses

As I walked the narrow passageways of Venice and crossed its countless bridges, a disorienting feeling came over me. Everything that I was seeing - every church, boat, bridge, and structure standing before my eyes - could not have been real. The views are incredible.

a photo of the view toward san giorgio maggiore venice
View Toward San Giorgio Maggiore

A city built on water, flooded aggressively by seasonal tides, more visually arresting than anything that the mind can imagine.  How could such a place exist?

a photo of the campanile in st marks square venice
Campanile di San Marco

Fortunately, after a few hours of walking and wading through flood waters, my argumentative mind capitulated. Better to enjoy the wonders before us than question their existence.

a photo of Gondolas Moored Near The Rialto Bridge venice
Gondolas Moored Near The Rialto Bridge

Venice is visually arresting. It's also a veritable maze. Be prepared to spend most of your time feeling slightly lost, even if you're not a first time visitor. Finding your way back to the hotel is part of the adventure.

a photo of the grand canal venice
Grand Canal - Venice

The weathered look of Venice adds to its charm. Think of of all of the people who have visited this grand city over the centuries and all of the great artist and musicians who have called Venice home.

a photo of gondolas at dusk in venice italy
Gondolas At Dusk - Venice

As night falls, the city remains breathtaking. Buona notte, la mia bellissima Venezia! Grazie per tutto! Sogno della nostra prossima avventura insieme. Ciao!

            Nikon D800

            Nikon 24-70 f/2.8G
            Nikon 70-200 f/2.8G VR II

Wishing you great light and meaningful moments!

Copyright 2012 Daniel R. South
All Rights Reserved

Saturday, December 1, 2012

My Time In California

Learning On The Go

I knew very little about cameras when I began to pursue photography seriously and I knew even less about creating good photographs.  I realized that I would need to invest time into practicing my new craft.

Shoot.  Evaluate.  Identify the mistakes and the lucky breaks.  Revise the approach, then go out and shoot again.  And again.

I spent a lot of time with my camera.  I got an 'A' for effort even though the results lingered in the 'C' range for quite a while.  A lot of film ended up in the trash, but lessons were learned with every roll.

Eventually, I had a small epiphany - there's value in visiting a location repeatedly.  One can observe the impact of weather, season, and time of day on the available light.  It's also possible to refine technique using information gathered from previous attempts.

I began to develop a list of 'favorite places' that I would visit with some frequency.  Most of these places were within a couple of hours of home, but I added a more distant destination to the list.  Coastal California.

a photo of the big sur coast from hurricane point
Hurricane Point at First Light

I had visited California in the years B.E.C. (before expensive cameras).  It's a land of breathtaking scenery, and I wanted to capture its magic on film.

a photo of mcway waterfall big sur at sunset
McWay Waterfall at Sunset

My earliest attempts at shooting the coast didn't yield remarkable results, but I learned a great deal about the location and local weather conditions in the process.  I also learned that there's a lot more to capturing a good photograph than just pointing a camera toward something interesting and making a 'correct' exposure.

As I explored the amazing Coastal California, I developed a understanding of light, its color, its quality, and its direction.  I developed a methodology for refining compositions from an initial idea to a finished image.  I experimented with techniques for focusing and stabilizing my cameras.

a photo of the point sur lighthouse at sunrise
Point Sur Under Textured Clouds

Eventually, I learned how to predict the occurrence of certain camera-friendly conditions.

When would the light make its first morning appearance over a particular mountain?

Where do you need to park your car to get a particular vantage point?

It's helpful to know these things, and if you pay attention to your surroundings and take good notes, you can return to the scene at a later date to capture something spectacular.  It pays to know what's going to happen before it actually takes place.

a photo of the golden gate bridge at dusk with traffic trails
Golden Gate Bridge At Dusk

Each excursion to my favorite places - near or far - was time well spent.  Even when the photos didn't turn out well, I was gaining insights that would transform my entire approach to photography. 

            Canon EOS 5D Mark II

            Canon TS-E24 f/3.5L II
            Canon 24-105 f/4L IS

Wishing you great light and meaningful moments!

Copyright 2012 Daniel R. South
All Rights Reserved

Friday, October 26, 2012

Leveraging the Unexpected

When Plans Go Awry - Keep Shooting!

It was a bright, sunny day - I'm not kidding!  Every cable and rivet of the Golden Gate Bridge was in clear view when I parked my car on Conzelman Road.

As I set up the view camera and composed the shot, I saw one very small wisp of mist pass over the water from west to east.  At first I thought that I had imagined it, or perhaps that a piece of dust had adhered to one of my contact lenses.  But more wisps followed and collected into larger patches.

The bay was full of wind surfers, but now they were beginning to disappear from view.  The fog became so thick that I felt concern for their safety.  Would they be able to see well enough to navigate back toward the marinas?  Would they be able to withstand the sudden drop in temperature?

It took about twenty minutes for the bridge to disappear completely.  This photo was taken in the last few minutes of visibility.  Luckily, the fog rolled in as the setting sun cast an orange glow toward the towers of the span.

a large format fine art photograph of the golden gate bridge in fog
Golden Gate Bridge in Incoming Fog - Fuji Velvia 100

The fog eventually reached my position, and the warm sunlight faded into gray, cold darkness.  I packed up my gear into the car, turned on the heater, and headed to town for a warm dinner.

Ebony SV45TE view camera
Schneider 110mm lens
Fujichrome Velvia 100

Wishing you great light and meaningful moments!

Copyright 2012 Daniel R. South
All Rights Reserved